Prayers for Choirs: No. 7

Prayers for Choirs: No. 7

"O come, O King of nations, bind in one the hearts of all mankind.Bid all our sad divisions cease and be yourself our King of Peace."

It's a carol we sing during Advent, but we carry the words with us as a prayer throughout the year, especially in the midst of strife and war and heartache.

Deep down, we know that God is with us; but I think we forget, sometimes. It's easy to think of God as enthroned in the clouds above, watching over us instead of walking beside us. That if he were really here, on earth with us, that bad things wouldn't happen.

We're an imperfect people in need of a Savior. And there will always be light and darkness, love and hate in the world. The truth is God is with us, now to the end of the age (Matthew 28:20). All we have to do is ask him to "come."

Come, be our help. Grant us peace. Heal our world. Come, save us.

Amen. Come, Lord Jesus.

Contemporary Music for Traditional Congregations

Contemporary Music for Traditional Congregations

"We need to keep up with the times!""We need to preserve our history!""We need to attract more millenials!"

Contemporary vs. traditional. It's enough to spark debate (or cause a war) in some congregations. But why does it have to be one or the other? Why does including contemporary music mean that we can't have a choir or use the organ or sing hymns? I believe there is a place for both in modern worship.

Emerging in the late 1960s and early 1970s, Contemporary Christian Music (CCM) was influenced by the Rock 'n' Roll of the 1950s and popular styles of the times (source). Today, contemporary worship often refers to musical style (rather than date of composition), incorporating popular song forms (verse, chorus, bridge), style (hip-hop, rock, acoustic, country, etc.), popular instruments (guitar, drums, keyboard, electric bass, etc.), and simple lyrics written in modern language. 

The big question is, can all musical styles be considered sacred? Here's what I think:

"Music has sacred significance and purpose within the liturgy whenever it brings sacred associations to the minds and hearts of the worshipers. Does all music have the potential to acquire sacred meaning? Swain (2012) wrote, 'As long as the music is a means of proclaiming the Word and is not the Word itself, it is theoretically possible for any kind of music to acquire a sacred semantic' (p. 196)." - On Musical Meaning

Flash Mobs and Other Creative Ways to Come Together in Worship

Flash Mobs and Other Creative Ways to Come Together in Worship

It's been a tough few weeks in the world. Mass shootings. Acts of terror. Racial injustice. Social injustice. Discrimination. Fear. Hatred.

Again and again we find ourselves here - a hurting, broken people - fighting to break the silence, tear down the walls that divide us, preach the Gospel of love over and over.

This is part of our ministry in church music, I believe. We are the messengers, the ambassadors, the peace-makers and the hope-bringers. We are God's instruments of peace. What a privilege - what a responsibility.

Now, more than ever, we need to come together. We need to unite - our hearts and hands and voices - in proclaiming God's message of love and light and doing His work in the world.

"For if you remain completely silent at this time, relief and deliverance will arise for the Jews from another place, but you and your father’s house will perish. Yet who knows whether you have come to the kingdom for such a time as this?" - Esther 4:14

2016 Reading Session Picks: Youth Choir

2016 Reading Session Picks: Youth Choir

Last week at Music and Worship Arts Week, I joined numerous others (choir directors, singers, organists, etc.) at a series of choral reading sessions.

When I look for youth choir anthems, I look for relevant, meaningful text and beautiful, well-crafted music (here's an inside look at my process). I look for anthems that will inspire and encourage adolescent singers and connect with their faith.

Several publishers (Hope, Alfred, Beckenhorst, GIA, Hinshaw, Lorenz, etc.) were on-site to present the newest offerings from their catalogs and the choral clinicians for the week presented their own reading sessions of their favorite works.

As such, today's post includes a mix of old and new, classic and modern, traditional and more contemporary anthems. (See my reading session picks for adult choir here.) There's also a mix of voicings - everything from unison/2-part up to SATB, depending on the number of voices you have and the level of your group.

I hope you find something meaningful to and accessible for your choir

2016 Reading Session Picks: Adult Choir

2016 Reading Session Picks: Adult Choir

It's always a joy to return to the beautiful Lake Junaluska, nestled in the Great Smoky Mountains of Western NC.

I've been attending Music and Worship Arts Week off and on since high school and I have so many memories of chilly morning walks to worship in Stuart Auditorium, evening concerts by the Junaluska Singers, simply suppers at the Allgood House, and stopping to admire the roses along the Rose Walk.

In case you haven't been, the week-long conference includes daily morning worship, several performance tracks for people of all ages and abilities (choir, handbells, dance, instrumental ensembles, and drama), a variety of helpful seminars and reading sessions, and evening concerts.

Like last year, I thought I'd share my reading session picks. Here are my favorite new adult choir anthems - hot off the press!

Prayers for Choirs: No. 6

Prayers for Choirs: No. 6

Just when we thought we were healing, picking up the broken pieces and putting things back together, trusting one other and believing in our society, our nation once more, we find ourselves right back here again. Surrounded by chaos and conflict and confusion. Lost in the darkness of hatred and anger and prejudice and fear.

The mass shooting in Orlando last week is just one in a string of tragedies we've had to face as a nation. How do we respond? How do we lead? How do we pray?

In times of unspeakable tragedy and loss, times where it feels like hate is winning, and times when we feel afraid of what's to come, we pray for relief and redemption and grace.

For the hurting, grieving, and persecuted, we pray for comfort, peace, and security.

For the difficult conversations we're having as a nation and the challenging days ahead, we pray for guidance, wisdom, and justice.

When we don't know what to say or how to help, we pray that God would speak through us.

When it feels like God is silent, we pray for love and light and faith.

Let us pray.

Score-Study for Church Musicians

Score-Study for Church Musicians

The words “score study” take me right back to music history at 8 a.m. on Wednesdays (you, too?). Grout anthology in one hand, class notes in another, marking cadences and phrase structure and German augmented sixth chords.

Don’t worry - I’m not suggesting you analyze your music for Sunday quite to that degree.

However, the practice of studying a score - before teaching, rehearsing, or performing the piece has its merits.

First of all, as the director, you won’t be caught off guard when you turn the page and find divisi for the divisi or an abrupt modulation to G-flat Major. You’ll also have time to prepare answers for all of Lillian the alto’s questions:

“Where do we get to breathe?” “Do you want us to sing piano there?” “Can I sing the lower part on p. 6? You know I can’t sing above a C.”

Like those early morning music history classes, the time you spend getting to know a new anthem and studying the score, looking at the details, sight-reading, singing, playing, predicting, analyzing, and looking for patterns is not just good preparation for teaching - it helps you become a better musician.

How to Choose Music for Your Choir: An Inside Look at My Process

How to Choose Music for Your Choir: An Inside Look at My Process

It's that time of the year again - the time when choir directors everywhere begin choosing music for next year!

From conferences to reading sessions to the seasonal reading packets in your mailbox, the stack of anthems, catalogs, and listening CDs on your desk at any given time can get overwhelming.

Where to begin? Is there a method to this madness?

As a quintessential Type A individual, I believe there is a method for every madness, anthem selection included! Today, I'm sharing an inside look at my process - my selection criteria, the things I take into consideration, and questions I ask myself along the way.

Whether you're choosing music for an adult choir, youth choir, or children's choir, I hope you find this insight useful and beneficial to your ministry.

Let's get started

In the Face of Violence

In the Face of Violence

I had another post scheduled for today, but given the tragic events of yesterday, it just didn't seem appropriate. It's easy to stand by quietly, to be sad in our hearts but keep our thoughts to ourselves. But in the face of violence, we need to be bold. We need to stand up. We need to say something. --

Another day. Another mass shooting. More fear. More hatred. More confusion.

Can I be honest with you? My first reaction to the tragedy yesterday was polite sympathy - sadness for all who are hurting, but only from a distance. When did that become okay? When did acts of violence become so commonplace that we stopped feeling their weight? When did the shock and daze and heartsickness wear off?

I'm tired of mass shootings becoming one-day news cycles. I'm tired of feeling helpless and numb and indifferent. 

I'm afraid that violence is becoming more and more the norm. That tomorrow we'll go back to our normal lives, eating our normal breakfast, reading normal headlines about the election and the Tony Awards, thinking about our normal (crazy) week ahead. I'm afraid that hate is growing stronger. That the world is growing numb to it

Developing Aural Skills in the Piano Studio

Developing Aural Skills in the Piano Studio

Aural skills (also known as ear-training) is a fundamental facet of musicianship. Learning to listen, identify, discern, and understand music without notation present helps develop the inner listening skills needed to become a well-rounded, well-versed musician.

Finding the steady beat
Recognizing strong and weak beats
Discerning meter and tonality
Understanding rhythm and tonal patterns
Recognizing dynamics
Discerning articulation
Feeling interval distances
Understanding cadences
Recognizing chords

Aural skills "help musicians at all levels to become more discerning in they way they play, sing and listen to music" (source). 

We all remember those 8 a.m. aural skills classes in college - sight-reading, singing intervals, singing bass lines, spelling chords. But what kinds of aural skills experiences are we giving our students before college? How can we incorporate aural skill activities in our weekly studio lessons