studio teaching

042 - What Does It Mean to Be a Teacher-Facilitator?

042 - What Does It Mean to Be a Teacher-Facilitator?

In the book The Inner Game of Tennis: The Classic Guide to the Mental Side of Peak Performance, author Timothy Gallwey describes a one-on-one lesson he had once with an adult tennis student. The student was aware of a problem with his serve, as several other teachers had pointed it out to him, and he could describe it in great detail, and what he needed to do to fix it.

So Timothy decided to try a different approach than the previous coaches that the student had worked with.

He observed the man serve a few times, then, instead of trying to find a new, better way to explain the problem that the student already knew he had, he simply instructed him to practice his serve in front of a large window that functioned as a mirror. Almost instantly, the student recognized the problem in his own serve—he saw it with his own eyes for the first time—and made the necessary corrections to relax his arm.

Timothy reflected on this experience later and he wrote in the book, “He had learned, but had he been ‘taught’?" He went on to explain: "I had learned and he had learned, but there was no one there to take credit. There was only the glimmer of a realization that we were both participating in a wonderful process of natural learning.”

Timothy had the foresight to know what the student needed, to see one step beyond where he was and help guide him to where he wanted to be. In this way, Timothy facilitated the student's learning.

And I think that's where the distinction lies: Facilitating vs. Teaching. That's what we're going to talk about today.

041 - Focus On the Music

041 - Focus On the Music

This month in my teaching, I'm making a conscious effort to focus on the music.

I know that might sound obvious. You're a music teacher—what else would you focus on? But the truth is, as teachers, there's a lot we're thinking about:

  • Are we managing our time well? Will we complete everything on the lesson plan?

  • Are we keeping a good pace and keeping our students engaged?

  • Is there enough variety in the activities we're doing today: theory and sight-reading, aural skills and musical expression, on-the-bench and off-the-bench activities, rhythm and movement?

  • How are they doing with this activity? Do they understand the concept? Have they developed this skill? Do they need a challenge?

Then there are the COVID protocols:

  • Are we keeping enough social distance?

  • Are we washing our hands after we take turns at the piano?

  • Am I respecting the student's sense of personal space? Do they feel comfortable?

All of these things are important and necessary to our work. As teachers, we are responsible for organizing and sequencing learning activities, managing time, and assessing the outcomes. But this month, I want to prioritize the music we're making, the music my students are making.

In his book Deep Work, researcher Cal Newport wrote, “Clarity about what matters provides clarity about what does not.” That's what this episode is all about.