It was 1997.
My piano teacher had just shown us a picture of Belle, Bonne, Sage, a rondeau about love written in the shape of a heart by 15th-century French composer, Baude Cordier. I studied the top two staves, curved to create the top of the heart, the illuminated letter B at the beginning of the first word, Belle, and the unique black-and-red notation.
This signaled the beginning of the annual studio-wide Valentine composition project.