058 - Negotiated Spaces: Balancing Formal and Informal Learning in Music

058 - Negotiated Spaces: Balancing Formal and Informal Learning in Music

What makes learning formal or informal?

Often they’re presented as a dichotomy: Formal learning is learning that happens with a teacher in a structured environment and informal learning is learning that takes place out in the world, between peers, or things the student learns on their own.

In music, genre is often wrapped up in these distinctions. To generalize, classical music and sometimes jazz are taught and experienced in formal situations (like schools, lessons, and community ensembles), and pop, rock, and everything else are experienced in informal contexts (at home, in the car, with friends, in the garage band).

But can music learning be both formal and informal? What does that look like?

That's what we're going to talk about today.

057 - Women in Music Month in the Studio

057 - Women in Music Month in the Studio

I was talking with one of my high school students a few weeks ago about music by women composers.

We were studying "Canoeing" by Amy Beach in the Celebration Series Level 7 Piano Repertoire book, the third piece in her Op. 119 collection, From Six to Twelve for Piano written in 1927. "Amy Beach was the first American woman to achieve widespread recognition as a composer of large-scale works," I read from my iPad.

My student, in addition to piano and double bass, her primary instrument, is also a composer.

This is how the idea began for studying and learning music by women composers during the month of March, International Women's Month.

In this episode, I'll talk about the composers and scores we'll study over the next four weeks and share a resource list of elementary and intermediate piano music written by women composers that you can reference in your teaching.

056 - The Valentine Composition Project

056 - The Valentine Composition Project

It was 1997.

My piano teacher had just shown us a picture of Belle, Bonne, Sage, a rondeau about love written in the shape of a heart by 15th-century French composer, Baude Cordier. I studied the top two staves, curved to create the top of the heart, the illuminated letter B at the beginning of the first word, Belle, and the unique black-and-red notation.

This signaled the beginning of the annual studio-wide Valentine composition project.

055 - Begin Again: The Case for Experimentation in Your Music Teaching

055 - Begin Again: The Case for Experimentation in Your Music Teaching

Happy New Year!

The change in the calendar year reminds us that there are things in life that ebb and flow. There's comfort in that familiar rhythm, the cyclical nature of our seasons, our routines. What does the beginning of a New Year signify for you? What kind of season do you find yourself in these days?

I recognized recently that I am in a season of learning.

Of course, I am still actively teaching five days a week, but at the same time, I'm reflecting, jotting down stories and realizations at the end of the teaching day—things I'd like to do differently next time or things I didn't plan but observed or participated in that ended up teaching me something as well as my student.

054 - Here’s What I'm Learning: A Look Back on 2022

054 - Here’s What I'm Learning: A Look Back on 2022

Welcome, December: A month of parties and pageants, decorations and delight, twine-wrapped packages and twinkling lights.

In the midst of all the end-of-year festivities, I like to steal a few quiet moments for reflection:

  • I make a list of all the books I read this year and what I want to read next year (look for the link to that in the show notes, if you're curious),

  • I make an end-of-year summary for my business and send a spring calendar to my studio families,

  • I write a year-in-review blog post, and

  • I reflect on what I've learned as a teacher.

Taking time to reflect on our teaching practice is an important and necessary part of the teaching-and-learning equation. So today, I'm looking back on all the moments I documented on the podcast this year and sharing seven things I've learned as a music educator.

053 - 5 Things to Do When You Feel Burnt Out

053 - 5 Things to Do When You Feel Burnt Out

Researchers suggest that twenty to thirty percent of teachers in America have moderately high to high levels of burnout (source). Maybe you know the feeling:

Tired, mentally and emotionally.
Distracted and uninspired.
Going through the motions.
Trouble making decisions.

These are warning signs.

Why does this happen? Why do we get burnt out and is there anything we can do about it? Today, I'm sharing five practical things you can do when you feel stressed or burnt out plus a few of my go-to resources.

052 - What Does Creative Music Teaching Look Like?

052 - What Does Creative Music Teaching Look Like?

There's been a lot of talk in recent years about creative teaching strategies and being a creative teacher. But what does that really mean? What does it look like in practice?

Of course, there's a certain amount of creativity naturally embedded in the work of making music together. Music is a creative art! But what does creative teaching mean? Is it inherent or is it something we need to develop? Is it something we bring into our teaching space or is it something we co-construct with our students?

051 - The Pokémon Piano Lesson

051 - The Pokémon Piano Lesson

I have a new 1st-grade student this fall, a younger sibling of another student. Their temperaments and personalities could not be more different and I feel like I'm still learning how best to relate to the younger brother in lessons.

Aaron is very smart and artistic but also has a rebellious streak. Sometimes he'll come into his lesson and say he doesn't want to play the piano or he'll resist reviewing a concept or piece from the previous week and give me only a half-hearted attempt.

After one particularly challenging lesson, I made a plan to incorporate a few more fun activities the following week—movement, creativity prompts, and musical discovery. Little did I know that Aaron would bring all the creative inspiration we needed for a 30-minute lesson: a binder of Pokémon cards.

050 - Simplified Organization for the New School Year

050 - Simplified Organization for the New School Year

It's back-to-school season, which means cups of hot tea in the mornings, new music to learn and explore, a new teaching schedule, and a few new organizational tools and strategies to test out, per usual.

The start of a new school year is a great opportunity to reset, refocus, and try new things. I talked about this back in Ep. 006 - Four Things I'm Doing Differently in My Studio. It's interesting to look back and see how much has changed and what I've learned in two-and-a-half years!

Today, I'm sharing an inside look at three big studio projects I worked on this summer—repertoire planning, technique organization, and an aural skills video library—and how I'm implementing them into my studio this fall.

049 - What Every Music Teacher Should Know About Mindsets: Insights from Carol Dweck's Book

049 - What Every Music Teacher Should Know About Mindsets: Insights from Carol Dweck's Book

I first heard about this book from one of my grad school professors.

We were sitting around a long table one snowy January evening at our annual dinner for current and prospective doctoral students. I asked my professor about books he was reading lately and he named several including Malcolm Gladwell's Outliers and Carol Dweck's Mindset.

It's been on my list since then (let's just say it's been a few years), but I finally read it last year.

Today, I want to share my four biggest takeaways from Mindset: The New Psychology of Success to give you an idea of what it's about and how we can learn from it as musicians, teachers, and leaders.