041 - Focus On the Music

041 - Focus On the Music

This month in my teaching, I'm making a conscious effort to focus on the music.

I know that might sound obvious. You're a music teacher—what else would you focus on? But the truth is, as teachers, there's a lot we're thinking about:

  • Are we managing our time well? Will we complete everything on the lesson plan?

  • Are we keeping a good pace and keeping our students engaged?

  • Is there enough variety in the activities we're doing today: theory and sight-reading, aural skills and musical expression, on-the-bench and off-the-bench activities, rhythm and movement?

  • How are they doing with this activity? Do they understand the concept? Have they developed this skill? Do they need a challenge?

Then there are the COVID protocols:

  • Are we keeping enough social distance?

  • Are we washing our hands after we take turns at the piano?

  • Am I respecting the student's sense of personal space? Do they feel comfortable?

All of these things are important and necessary to our work. As teachers, we are responsible for organizing and sequencing learning activities, managing time, and assessing the outcomes. But this month, I want to prioritize the music we're making, the music my students are making.

In his book Deep Work, researcher Cal Newport wrote, “Clarity about what matters provides clarity about what does not.” That's what this episode is all about.

040 - On Developing a Creative Habit [Book Review]

040 - On Developing a Creative Habit [Book Review]

The scene opens in an empty room with blank, white walls. A woman steps into the space, alone. "The blank space can be humbling," she writes. There's pressure to do something, to fill the emptiness, to create. But with practice and with the ritual of showing up, you grow accustomed to it. The author describes it as both her job and her calling.

"Bottom line," she writes, "Filling this empty space constitutes my identity.”

This is how the book, The Creative Habit begins. Author Twyla Tharp is a choreographer and dancer, offering insight into her creative practice and the rituals that accompany it.

As a creative, I love reading about other people's creative processes: their habits and work routines, the decisions they make, the way they think, and how they see the world.

I read this book last spring and it was one of my favorites of the whole year. I thought I'd share my three biggest takeaways and a few of my favorite quotes from the book with the hope that it's as inspiring and enlightening to you as it was for me.

039 - A Creative, Integrated Approach to Teaching Music Theory

039 - A Creative, Integrated Approach to Teaching Music Theory

Often in our teaching and learning experiences, music theory is taught as a standalone subject. We have theory books in our private studios, AP Theory in high school, and a sequence of theory classes at the college and graduate level.

Theory courses and books are a good thing, don't get me wrong. We need to develop an understanding of theory and musical structure just like we need to develop an understanding of syntax and grammar in language. But I've been wondering lately if there's a better way to incorporate these learning experiences and theoretical conversations into our teaching, especially when teaching online.

How can we as music educators make more connections between music theory and music practice, between the analysis and study of music and the actual creation of it? How can we make music theory more experiential?

That's what we're going to talk about today.

038 - The Secrets of Interleaved Practice: What We Can Learn From Cognitive Science

038 - The Secrets of Interleaved Practice: What We Can Learn From Cognitive Science

In the last episode, Episode 37, we talked about playing your instrument for fun and why that is vital to your music career. Today, we're going to follow that up with a conversation about practicing.

If there's one thing we know it's that practicing is fundamental to developing skills as a musician. And as music teachers and educators, we're always looking for new ways to encourage and inspire our students to practice at home.

Interleaving is an approach to learning and practice that involves mixing up the sequence of topics, skills, or strategies so they are woven together throughout a practice or study session. In this episode, we’ll talk about what it looks like and how it’s beneficial to longterm learning.

037 - Do You Play Your Instrument for Fun?

037 - Do You Play Your Instrument for Fun?

When was the last time you sat down at your instrument and played music for fun? I mean, not music you had to practice or prepare, not the music you're teaching this week, but music you chose to play for yourself, for your own enjoyment?

In this episode, I'm sharing four reasons why playing your instrument for your enjoyment and creative expression is really vital to your music career:

036 - Let's Talk About Improvising

036 - Let's Talk About Improvising

It's one of those words that makes some of us uncomfortable: improvisation. Did your palms start to sweat when I said that?

In this episode, I’m sharing a story from the early days of my studio when I was still a student myself. It's about a lesson I had one October with an 11-year-old student.

035 - How to Help Children Develop Their Singing Voices

035 - How to Help Children Develop Their Singing Voices

If you teach elementary music in some capacity, you know the importance of singing to introduce, experience, and learn musical concepts. You may also know from personal experience that some children have trouble finding their singing voices.

Today, I'm sharing six practical strategies for helping children discover their singing voices and learn to sing in tune.

034 - Do We Really Teach How We Were Taught?

034 - Do We Really Teach How We Were Taught?

Perhaps you've heard the age-old adage: we teach how we were taught.

Of course, we know this isn’t the full story: we all have unique backgrounds and a variety of experiences that inform the people we are today and the teachers we are becoming. As you reflect on your own teaching practice, here are three things you should know:

033 - How to Teach Music Literacy Using Color

033 - How to Teach Music Literacy Using Color

When first introducing music-reading, it can be challenging for young students to recognize patterns and organize the content visually when everything is black and white.

For this reason, color can be a helpful tool. In this episode, I’m sharing four simple, unique strategies to use color to teach music literacy.

032 - "I Make Music Because..."

032 - "I Make Music Because..."

Today's episode is a special one because for the first time on this podcast, you'll hear someone other than me talking. In fact, you'll hear 22 other voices — my students!