Piano Teaching

Why You Should Have Consultations with Prospective Students

Why You Should Have Consultations with Prospective Students

Last year, I received an email from a piano teacher asking about initial consultations and interviews. What do you do? What questions do you ask? How long should it be? What materials do you give them? Great questions! Here are some of the reasons I offer consultations to prospective families (and why you should, too!):

Why Are Consultations Important?

1. They give you an opportunity to meet prospective students (and their parents) face-to-face before either of you commit to lessons.

2. For students who are transferring from another teacher, it's important to see what music they're currently working on, assess what they know, and determine where you want to begin in your first lesson.

My Go-To Plan for First Piano Lessons

My Go-To Plan for First Piano Lessons

Where should we begin?

It's the age-old question we ask ourselves when we sit down with a new (beginning) student for the first time. What should we talk about first? Hand position? Finger numbers? Letter names? Where's Middle C?

I like to get the student playing as quickly as possible. We explore high sounds and low sounds and sounds in the middle, black keys and white keys and the patterns they make, and rhythm patterns based on our heartbeat. We imitate, improvise, and create.

The first lesson is all about experimenting with the instrument and exploring sound. Here is my go-to lesson plan:

    40 Ideas to Inspire Creativity in Your Students

    40 Ideas to Inspire Creativity in Your Students

    "To stimulate creativity, one must develop the child-like inclination for play.”- Albert Einstein

    As a piano teacher, I love teaching young beginning students. I love their enthusiasm, the questions they ask, their excitement over little successes, and most of all, their creativity.

    Young children are naturally curious and inquisitive, with vivid imaginations. I love finding ways to bring that into our piano lessons and their practicing at home. I added a "Creativity Challenge" to the bottom of my assignment sheets a few years ago (available as a free printable here) and each week, I write a short prompt to encourage creative exploration, discovery, and music-making during the week.

    "Around the World" Piano Theme

    "Around the World" Piano Theme

    One of my favorite ways to prepare for the new teaching year (or new semester) is choosing a theme and gathering inspiration. Last year, I spent some time planning an "Around the World" theme for my young piano students (inspired by a children's choir curriculum I created a few years ago). So fun! See my inspiration board here.

    Pack your bags and join us for an exciting musical journey around the world! This year, students will discover new skills and musical concepts, hear and play new music, and experience the language of music in a rich environment. At the end of the year, children will have suitcases full of new skills and experiences from their musical travels!

    Monster Dance

    Monster Dance

    Last week, I introduced Jennifer Fink's Monster Dance to an 11-year-old student. It was a sight-readable piece for him - something we could put together in one lesson. The piece is written for left hand solo, though it ventures up into the treble clef partway through. Once we had worked through the key patterns, tricky moves, and looked for repeated material, he wanted to play it all the way through from the beginning.

    As he played, I thought about the beloved Disney/Pixar film, Monsters, Inc. (one of my personal favorites!).

    "Have you seen Monsters, Inc.?" I asked when he finished playing. "Um, yeah, of course!" he said, with a sparkle in his eye. "Have you seen Monsters University?" he asked. "Um, yeah, of course!" I said, imitating his inflection. "I was thinking - which monster is the best match for the music in Monster Dance?" "Definitely Sullivan," he said without pause. "I was thinking Sully, too," I said. "What about Mike Wazowski? What kind of music would fit his character?"

    He immediately went to the high side of the piano and started playing something.

    The Piano Teacher

    Penelope is a bright-eyed, curly-headed girl of almost 8. She often skips into her lesson, singing me the song she composed that week. But one week, in the middle of playing through "Beautiful Dreamer," she fought back tears as she half-whispered, "No one wants to listen to my songs." I put down my notebook and pencil and moved to the bench to sit beside her. "My friends just want to play with me. They don't want to hear me play the piano." We talked about people and how everyone is different. We all like different things and are good at different things. Some people like to be with other people and others would rather be by themselves. "I like to be by myself," she said quietly. "Me, too," I said with a smile. She brushed away a tear from the corner of her eye and we went back to our lesson. Sometimes, it's more important to sit and talk for a minute than hearing every piece on the assignment sheet. Sometimes, lessons are more about building relationships and trust than playing and making music. As musicians, we know how much our emotions impact what we do. Creating music is a vulnerable act, a bearing of our very souls to those listening. Many times I've felt insecure about this and insecure about my abilities when they are not affirmed by others. Maybe you've been there, too. I want to be a teacher that acknowledges these struggles with openness and honesty. Someone who offer that affirmation and encouragement or at least lend a listening ear and say "I understand. I know what you're feeling." I believe this is part of what we are called to do as teachers. We listen when they're going through a hard time, encourage their pursuit of musical excellence, and celebrate their achievements.

    We also laugh at their jokes and smile when they're being silly. Like when Graham, a sandy-haired, blue-eyed 1st grader asked to read me a comic he memorized from the New Yorker. At the end of his lesson, he sat on the bench and "performed" the comic for me with a different voice for each character. His mom said the first thing he told her when he got home was that he "made me laugh" with his story.

    We are musicians and supporters, encouragers and facilitators, but we're also listeners and mentors, friends and confidants. We are piano teachers.

    Piano Olympics Festival

    Piano Olympics Festival

    Aren’t the Olympics exciting?! 

    I love how they bring people together – across nations – to recognize and celebrate hard work, excellence, and achievement

    These are things I want to celebrate in my students.

    So, inspired by this year’s Winter Olympics and drawing on the five colored rings in the Olympic logo, I created a piano festival based on five key aspects of musicianship:

    Blue – Sight-Reading
    Gold – Memorization + Performance
    Black – Aural Skills (clap-backs, sing-backs, play-backs)
    Green – Creativity (improvisation, composition)
    Red – Technique

    Valentine Composition Project

    Valentine Composition Project

    As a young piano student, I had a teacher that assigned Valentine composition projects. 

    The task was to create a song with words for a friend or family member, notate it in lessons with her guidance, and perform the musical valentine for the person you chose. I remember sitting at the piano in our living room, playing with patterns and ideas until something stuck.

    Here is a little sample:

    Piano Assignment Sheets

    1 / 2 / 3 / 4 / 5 / 6

    *Disclosure: I get commissions for purchases made through links in this post.


    I started using weekly assignment sheets in my studio last year.

    I know from experience that written assignment sheets do not work for every student, but for most of my current students, they make a big difference in organizing home practice and keeping open communication with parents.

    Keeping a written record of projects, goals, and repertoire keeps all of us on the same page, even though we're only together for 30 minutes a week.

    I thought it might be helpful to those of you considering using assignment sheets in your studio to have a roundup of some of the templates out there. For me, some of the key features of a weekly assignment sheet are:

    • name and date (a way to personalize them for each student)

    • blocks for warm-ups or technic, a few repertoire pieces, and musicianship activities

    • a way to track practice time during the week

    PianoPedagogy.org has a great post on using assignment sheets with several templates. In addition, Faber & Faber and Alfred have assignment books (I'm sure others do, as well). Some of these models include staff lines (for composition starters or warm-ups), the circle of fifths, keyboard legends (great for marking hand positions), and space to write messages to parents (and for parents to write messages to you!).

    I used many of these models as inspiration for creating my own Studio Assignment Sheet last year. This is what I use with my students on a weekly basis.

    Enjoy!


     

    Practice, practice, practice.

    Free Resource

    A printable assignment sheet for beginning and elementary-age students. Includes: practice log, technic, new and review pieces, musicianship (rhythmic review, aural skills, theory, sight reading, etc.), and creativity (e.g. make a piece that is ___ measures long and uses ___)