Music Learning

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5 Ways to Develop Creative Musicianship (Music Education Basics)

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5 Ways to Develop Creative Musicianship (Music Education Basics)

Welcome back to Music Education Basics!

Today, for our final lesson, we’re talking about one of my favorite topics, creative musicianship—what it is and how to teach it, and 5 ways to cultivate creative musicianship in your students.

First, let me explain what I mean by creative musicianship. When I say creative musicianship or musical creativity, I’m talking about improvising or creating music spontaneously and also, the ability to write those ideas down.

Now, if the thought of that makes your palms begin to sweat, I get it! If you had classical music training growing up, you probably didn’t spend much time improvising, composing, or creating your own music. I know that was my experience. Instead, the focus was probably on learning how to read and interpret what was on the page. Can you relate to that?

I'm sharing a few ways you can introduce musical creativity to those you teach in this lesson.

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Ready to Read: 4 Steps for Developing Proficiency (Music Education Basics)

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Ready to Read: 4 Steps for Developing Proficiency (Music Education Basics)

Welcome back to Music Education Basics!

Today, we’re talking about readiness for music-reading and developing proficiency.

Just like learning to read language, music-reading follows listening and responding, developing a musical vocabulary, and active musical experiences in a natural progression, as we’ve been reviewing this week.

If you’re a choir director or an elementary music teacher, I recommend introducing music-reading (as in holding a score in your hand) around 2nd or 3rd grade. We tend to introduce music-reading a little sooner in one-on-one settings — piano lessons or other beginning instrumental studies — but in choir, you can usually wait until 3rd grade and spend more time with rote-learning and gradually bridging that gap.

I’ll walk you through a simple 4-step process and a few tangible ways to do this in today's lesson.

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The Case for Musical Expression (Music Education Basics)

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The Case for Musical Expression (Music Education Basics)

Welcome back to Music Education Basics!

Today, we’re talking about musical phrasing, dynamics, and movement and why it’s important to incorporate these elements of musical expression into the teaching and learning process from the very beginning.

Visuals and active experiences are a huge part of the learning process. In some cases, they are more important in our teaching than spoken directions and letting people read things for themselves. How can we be intentional about structuring our teaching in a way that supports visual learning and active, hands-on experiences?

We’ll explore a few useful strategies, ways to create opportunities for active experience, and meaningful analogies you can use to support music learning and the development of musical understanding in your students.

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How to Develop a Musical Vocabulary (Music Education Basics)

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How to Develop a Musical Vocabulary (Music Education Basics)

Welcome back to Music Education Basics!

Today, we’re talking about what it means to develop language skills in music—namely, the importance of building a vocabulary of tonal and rhythm patterns, something you’ll hear me describe as the building blocks of music.

Tonal patterns are short, 2- to 5-note groups or phrases. Think of them like words: instead of reading and focusing on the individual letters that make up a word, our eye recognizes the group of letters together; we understand the letters within the context of the word. The same is true in music: instead of focusing on individual notes, we want to help our students learn to read groups of notes as meaningful patterns.

The goal is to understand the notes within the context of the music.

Rhythm patterns are the same: short, 2- to 4-beat groups or phrases. It’s important to recognize them as patterns vs. reading individual note values.

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The First Step in Music-Learning That’s Often Overlooked (Music Education Basics)

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The First Step in Music-Learning That’s Often Overlooked (Music Education Basics)

To begin Music Education Basics, we’re going to talk about a primary component of music teaching and learning and something you may not immediately think of as being the first step in the teaching process: listening and responding.

In the introduction last week, I talked about the Music Learning Theory and the idea that learning music is a lot like learning how to speak a new language.

When you learned how to speak your native language, you probably didn't start with reading; you spent time listening to others speak the language around you, soaking it up, exploring how to create sound yourself, and eventually, imitating them.

It’s so important to build listening and responding into your teaching, because, while it's vital at the beginning of musical development, it’s something we come back to over and over again as we learn.

Everyone can learn from opportunities to listen and respond to music, at all stages of musical development, something I explain more in this lesson.

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Welcome to Music Education Basics

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Welcome to Music Education Basics

Music Education Basics is a free online workshop for music educators in all types of settings.

It’s available as a video series, but I’m going to share the audio version right here on the podcast so you can tune into the content here each day if that’s easier for you.

Each day, we’ll explore a different foundational aspect of music teaching and learning — a core mindset or process or sequence or approach that will apply to you and your work whether you’re teaching elementary or secondary students or even working with adults. Each lesson has a corresponding workbook and a brief challenge to encourage you to take action in some way.

In this introductory lesson, we're going to talk about the Music Learning Theory and how learning music is a lot like learning a new language.

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030 - Five Myths About Music Teaching & Learning

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030 - Five Myths About Music Teaching & Learning

You know those things you’ve heard that seem true? I mean, they sound plausible. Plus, if enough people say it, it must be true, right?

Before long, we find ourselves buying into the hype, retelling the story, believing something we’ve heard without stopping to ask questions.

This is how myths begin.

Sometimes, there’s simply a lack of information—nothing to disprove this theory or that idea. Other times, they sound good on paper but are only surface-level with no substance to back them up.

Whatever the case may be, we’ve all encountered myths (big and small) in various parts of our lives.

But have you ever stopped to think about myths related to teaching and learning?

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029 - The Cost of Perfection (A Teaching Story)

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029 - The Cost of Perfection (A Teaching Story)

Music and perfectionism often go hand-in-hand, don't they?

In music school, we're trained to pursue excellence, to strive to be the best. We're taught to set high standards for ourselves, to work hard, and live up to the high standards our teachers have for us.

The thing is, there are two sides to perfectionism.

The value of perfectionism is that it's a commitment to achieving at a high level. But the cost of perfection is a crippling fear of failure, an unwillingness to try new things, negative self-talk, and an unrelenting pursuit of something that may not always be attainable. In fact, it might not even exist.

I mean, have you ever had a perfect performance? What does that look like? Of course, there's technical perfection — the right notes and the right rhythms with the right fingering at the right tempo and the right dynamic level, whatever that might be for you — but is that what we're aiming for, technical proficiency? Or is there something more?

023 - How to Practice Efficiently in 30 Minutes Or Less

023 - How to Practice Efficiently in 30 Minutes Or Less

Playing your instrument helps keep your musicianship skills sharp — your aural awareness and reading abilities, your commitment to a beautiful tone and balance and expression. It helps you stay in shape technically, and it makes you a better teacher — you know what practicing requires and you know how to pick and choose the strategies that will help you be most efficient with your time.

With that said, here are a handful of quick tips for practicing efficiently in 30 minutes or less:

022 - On Being a Lifelong Learner

022 - On Being a Lifelong Learner

As lifelong learners, we get to discover new things, new people, and new ideas. We explore things that are new and unfamiliar, whether that’s reading a short biography about a composer or sight-reading a new piece; outlining a new learning sequence or figuring out how to use a new app.

But what does this look like as a music professional? Here’s a personal and practical look at what lifelong learning looks like for me in this season.

Follow along with my creative work and daily adventures: @ashleydanyew

In honor of #smallbusinesssaturday2024, here are my ✨2025 predictions✨ for musicians and creative entrepreneurs: 1️⃣ Pivoting will still be essential: Flexibility and adaptability will define success—embrace change and be willing to evolve.
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Let’s be honest, this month (year?!) has been hard. But if there’s one thing I’ve learned it’s this: As an independent, self-employed musician and small business owner, you’re resilient. You don’t give up when s